Time bridges across different ages  

Friederike Kenneweg: 20 Years of Mondrian Ensemble: Anniversary Concerts  

20 years already: the Basel based piano quartet Mondrian is celebrating its anniversary and the good thing is that some of the concerts planned for the occasion can now actually happen. 

Ensemble Mondrian ©zVg Ensemble Mondrian

 

Friederike Kenneweg
This year’s concert season was somewhat uneven and not only for the Mondrian Ensemble: too many events have been cancelled, postponed or had to be live-streamed online. But for Tamriko Kordzaia (piano), Ivana Pristašová (violin), Petra Ackermann (viola) and Karolina Öhmann (violoncello) it was even worse as they were planning to celebrate their ensemble’s 20th anniversary. The anniversary concert in autumn 2020 could take place with reduced audience. The Walcheturm event in Zurich however had to be streamed. The only advantage being that it is now accessible to everyone online.  

Connecting lines between the ages 

Bringing together common practice period and contemporary music has been Mondrian Ensemble’s characteristic for 20 years and their anniversary programme was no exception. A string trio by Schubert and four fantasy pieces by Schumann were combined with works by Martin Jaggi (*1978), Jannik Giger (*1985) and Madli Marje Gildemann (*1994). This allows a better perception of the different connections between musical periods, but also highlights contrasts and further developments all the more clearly. As the four musicians do not limit themselves to one period, but consider the entire history of music up to the present day for their concert programmes, they repeatedly uncover astonishing things – for example, parallels between the melancholy beauty of English Renaissance music and the slow pulsation of a piece by the Austrian Klaus Lang, or enable the audience to experience a very special kind of time travel, performing a piano trio by Schubert and a piano quartet by Morton Feldman in immediate succession.  

Another important aspect is that the ensemble keeps contemporary compositions in its repertoire and plays them on various occasions over the years, allowing them to develop and unfold like interpretations of classical works. This is hardly possible in the new music business, focusing mainly on world premieres.  

Great importance is also attached to working closely with the composers – sometimes over long periods of time, for example, Dieter Ammann, as the work on the world premiere of his string trio “Gehörte Form” (“Heard Form”) from 1998 led the founding members Daniela Müller on violin, Christian Zgraggen on viola and Martin Jaggi to form an ensemble in 2000. 

 


Dieter Ammann, Gehörte Form – Hommages for string trio 1998, in house-production SRG/SSR

The joining of Walter Zoller on piano, opened new possibilities and allowed them to perform string and piano trios as well as piano quartets from all periods. The ensemble still makes full use of the flexibility that this instrumentation brings in its programming. Thus, solos or duets can also be found in the various possible combinations. 

Different combination possibilities 

Another composer who has accompanied the ensemble for a long time is Jannik Giger from Basel. Their collaboration was for the piece “Intime Skizzen, as the musicians rehearsed compositional sketches by Leoš Janáček, Jannik Giger was present with his camera. The finished work offers insights into the musicians’ rehearsal rooms via a video screen, showing the piece’s appropriation process. In addition, the ensemble plays the Janáček fragments as well as the additions that Giger composed on stage. In the meantime, Giger’s piano trio “Caprice” from 2013 and string trio “Vertige have also become part of the ensemble’s regular repertoire. 

 

Jannik Giger, Vertige for string trio 2020

The ensemble not only recorded a portrait CD with Austrian composer Thomas Wally (Jusqu’à l’aurore, col legno 2020), but will also perform with him on stage in May, as Wally is also violinist. In the upcoming concerts, Ivana Pristašová, Petra Ackermann and Karolina Öhmann will also join the string quartet. For the BLACK ANGELS programme, they will perform the 1970 piece of the same name by George Crumb, which refers to the Vietnam War, with electronically amplified string instruments. Tape recordings are added to the string quartet in Steve Reich’s Different trains (1988), which also refers to war – reflecting on the importance of trains during the Second World War.   

50 years of women’s suffrage in Switzerland – a playable oven  

The programme planned for autumn 2021 revolves around the 50th anniversary of women’s suffrage in Switzerland. A first glimpse will be given on June 4, with the premiere of Garzeit” by artist duo LAUTESkollektiv

 

LAUTESkollektiv 2x Haensler ©zVg Stefanie Haensler

LAUTESkollektiv is composer Stephanie Haensler (*1986) together with designer Laura Haensler andGarzeit” is a multi-part piano quartet in which the usual instruments of the Mondrian Ensemble will be complemented by a playable oven.
This conveys part of the aesthetics and everyday life of women around 1971.
During the composition, switches, levers and knobs are operated by the musicians and influence the sound
scape 

 


Stephanie Haensler: Ein Schnitt for string quintet 2019, in house-production SRG/SSR

The full programme also features several pieces by female composers of different periods and generations – from Clara Schumann (1819-1896), via Elfrida Andrée (1841-1929) and the almost forgotten St. Gallen composer and poet Olga Diener (1890-1963) to Rebecca Saunders (*1967) and Katharina Rosenberger (*1971). 

Mondrian Ensemble’s programme, in which the piece “the ocarina chapter” by Christoph Gallio was to be premiered was eventually postponed to 2022. The piece has been commissioned by the ensemble to the Swiss composer and the concert was planned to be meeting of the ensemble with voice artist Theo Bleckmann from New York – an artistic encounter that the situation unfortunately does not permit at the moment.
Friederike Kenneweg 

 

Ensemble Mondrian ©zVg Ensemble Mondrian

 

BLACK ANGELS with Thomas Wally will be performed again on May 7 and 8 (Gare du Nord Basel, Walcheturm Zurich).  

Garzeit’s world premiere will take place on June 4, at Historisches Museum, Baden and its world premiere tour (Zurich, St. Gallen, Chur, Basel) will run until November 1, 2021.

The tour with world premiere by Christoph Gallio has been postponed to 2022. 

 

Thomas WallyIvana PristašováGeorge Crumb, Steve Reich, Madli Marje Gildemann, Klaus Lang, Morton Feldman, Daniela MüllerWalter Zoller, Leoš Janáček, col legno, Laura HaenslerOlga Diener, Clara Schumann, Rebecca Saunders, Elfrida Andrée, Theo Bleckmann

Sendung SRF 2 Kultur:
Blick in die Feuilletons, 8.12.20, 20 Jahre mutige Kammermusik – das Mondrian Ensemble hat etwas zu feiern (ab Min 24): a portrait by Gabrielle Weber

 

Neo-Profiles:
Mondrian Ensemble, Tamriko Kordzaia, Karolina Öhman, Petra Ackermann, George Crumb, Klaus LangMartin Jaggi, Jannik Giger, Dieter Ammann, Stephanie Haensler, Katharina Rosenberger, Christoph Gallio, Gare du Nord, Kunstraum Walcheturm

tuns contemporans 2021 – Graubünden meets the world

In 2019, two of Graubünden’s professional orchestras, Ensemble ö! and Kammerphilharmonie Graubünden, already co-initiated Graubünden’s Biennale for New Music – tuns Contemporans 

Its second edition focuses on female composers on one hand and on local music creation on the other. Three pieces out of a call for scores for ladies only will be premiered and the Biennale also commissioned works to three generations of Graubünden composers.   

Slogan is: Graubünden meets the world, the familiar meets the unfamiliar, the new meets the even newer.  

Kammerphilharmonie Graubünden ©zVg Kammerphilharmonie Graubünden

 

Gabrielle Weber
The Chur Biennale for Contemporary Music tuns contemporans has had a somewhat difficult start into its second edition. In September 2020, it launched a Call for Scores for ladies only and at that time, the near future seemed a bit brighter as one could hope that live concerts might have taken place again the following spring.   

Now, in the midst of the third pandemic wave and with no prospect of live concerts in front of an audience any time soon, it was eventually decided to hold the Biennale anyway. Like so many other festivals, it will take place without an audience on site, but broadcasting live via online stream.  

A blessing in disguise as a variety of new works will be made available in and from Chur, all over the world, during four concerts between April 9 and April 11. 

The Biennale was initiated by David Sontòn Caflisch, artistic director of the Ensemble ö! together with the Kammerphilharmonie Graubünden.  

 

David Sonton Caflisch ©zVg David Sonton Caflisch

 

In addition to his ensemble ö! engagement, Sontòn Caflisch is active as violinist in various contemporary music formations as well as a composer. The Chur-based ensemble ö! regularly premieres works by up-and-coming composers, but also specifically by Graubünden musicians. In addition to Chur, it performs in Zurich, Basel and international guest performances. 

 

Stefanie Haensler, Im Begriffe for Quintet, world creation ensemble ö! 2016, Video in house produktion SRG/SSR, Launch neo.mx3 & Ensemble ö!, Postremise Chur, 11.Oktober 2020.

 

Call for scores – for ladies only!

The submitted scores were judged by a jury consisting of renowned contemporary music connoisseurs:   

The two women Asia Ahmetjanova, Ensemble ö!’s pianist and composer, and Karolina Öhman, solo cellist and member of Ensemble Mondrian, among others. Joined by Philippe Bach, Kammerphilharmonie Graubünden’s and tuns contemporansartistic director, Baldur Brönnimann, guest conductor at tuns contemporans and artistic director of the Basel Sinfonietta, as well as Sontòn Caflisch.   

Of 124 submitted works, the following three pieces were selected for a world premiere: Fragmente einer Erinnerung (Fragments of a Memory) for small ensemble by Elnaz Seyedi (Tehran), Still Images by Vera Ivanova (Moscow) for large ensemble and Accord by Katrin Klose (Germany) for chamber orchestra. They will be separately premiered during one of the Biennale concerts. 

 

Katrin Klose: winner Call for Scores / Kat. Kammerorchester, world creation Accord with Kammerphilharmonie Graubünden, opening concert Theater Chur, friday, 9.4.21, 19h.

 

tuns contemporans will also offer an insight into four generations of Graubünden musicianship, as commissions for three new works by Sontòn Caflischs, Martin Derungs and Duri Collenberg have been awarded. While the Sunday matinée will stage songs and a cello solo by Benedikt Dolf (1918 -1985).    

 


Benedikt Dolf, Concertino für Streichorchester 2008, Eigenproduktion SRG/SSR

 

The Kammerphilharmonie Graubünden has always been committed to local music-making, both in Chur as well as in smaller concert venues of Graubünden’s valleys. With its commitment to tuns contemporans and Call for Scores, it is now setting an example for the orchestral repertoire’s renewal and for more gender diversity among the next generation of composers. 

The internationally renowned Finnish composer Magnus Lindbergh has been invited as composer in residence. He will be present during the entire Biennale and will have his works performed in each of the four concerts.   

The opening evening with the Kammerphilharmonie Graubünden at the Chur Theatre for instance will present his Violin Concerto from 2006, together with a world premiere by Sontòn Caflisch and the new piece by Katrin Kloss, winner of Call for Scores chamber orchestra category.    

 


David Sontòn Caflisch, Enceladus-Variationen 2019, in house production SRG/SSR

 

Apartment House after John Cage, tuns contemporanspromising mediation project, had to be cancelled at short notice due to the pandemic. Cage’s groundbreaking work from 1976 was to become a plea for social diversity and collective art in Chur. In collaboration with a large number of local artists, the festival wanted to cover all of Theater Chur’s rooms as well as the outside area. Now it turned into a symbol for the current physical distancing measures. 

The Chur Theatre and the Bündner Kunstmuseum, from where all concerts will be streamed live are also involved in this festival, aiming to move contemporary music closer to everyday cultural life in Chur again, a resolution one would wish for in many a larger city.   

Tuns contemporans promise a dense and varied programme: Graubünden meets the world!
Gabrielle Weber

 

60 female composers from 30 different countries submitted 124 works in tuns contemporans Call for Scores. 84 of them in the category “small ensemble”, 22 for the “large ensemble” category and 18 in the “chamber orchestra”category. Three works were selected for a premiere in each category. All details regarding concerts and livestream details can be found on tuns contemporanshomepage  

In October 2020, the RTR launch of neo.mx3 took place in the Postremise in Chur, featuring ensemble ö! during the short time in which live concerts were possible. The whole concert was recorded and filmed by RTR and is available on ensemble ö!’s neo.mx3 profile. 

 

tuns contemporans, Magnus Lindberg, Katrin KloseElnaz SeyediVera Ivanova


Broadcasts SRF 2 Kultur:

Neue Musik im Konzert: Ein Fest der neuen Musik, final concert tuns contemporans 2019, editor Cécile Olshausen, 15.4.2020

neoblog, Ein Prost auf die Neue Musik!, post by Thomas Meyer, 27.9.2020

Musik unserer Zeit: ö! ensemble für neue Musik, editor Florian Hauser, 11.11.2020

Neo-profiles:
Ensemble ö!, Kammerphilharmonie Graubünden, David Sontòn Caflisch, Karolina Öhman, Asia Ahmetjanova, Basel Sinfonietta, Ensemble Phoenix Basel, Philippe BachStefanie Haensler

“We consider space and sound as one”

On July 4 and 5, the closed-down chemical factory of Uetikon am See will host Al(t)chemiefestival, a small, carefully curated music festival presenting a wide musical spectrum ranging from classical to contemporary music, performance and sound art. The disused factory site is of particular importance in the festival context.

Die Chemische @Uetikon am See

“Die Chemische” as it’s lovingly called, is a 200-year-old chemical factory and a monument of industrial culture situated in a prime location on the lake of Zurich.

A new complex will be built there by 2028, hosting a school, offices, apartments and commercial premises. Currently artists and musicians have established studios and workshops there, as the large area will be used for cultural purposes until the conversion is completed.

Marcel Babazadeh, sound engineer, and Sophie Krayer, stage designer, have been running the Klang und Raum studio in the “Chemische” for some time now, offering sound consulting for public spaces and creating artistic projects that combine music with space. During the lockdown, the Atelier caused a sensation with live streaming of digital concerts, during which an enthusiastic social media community of well over 1000 people came together each Monday.

This is how the idea of Al(t)chemiefestival came to life.

Pianist Tamriko Kordzaia has been working with the duo for a long time and contributed to the Digital Concerts with a contemporary solo recital. She is the third member of the curators-directors team.


Tamriko Kordzaia, Karolina Öhman, Iannis Xenakis (Artarea 2020)

According to Kordzaia, the idea of promoting the musical side of the area through a festival had been around for some time now. Corona had initially inhibited the plan, but as the restrictions loosened up it became an inspiration to spontaneously take up the idea again. And – especially due to numerous requests for participation from ” starving ” artists – the project took off and expanded into a two-day festival.

Portrait Tamriko Kordzaia

Furthermore, the area is perfect regarding the current corona guidelines. According to Kordzaia: “One can play in different rooms and change places, play music indoors and outdoors, but also take a walk by the lake in between or simply linger”. For example, one concert takes place in a vintage furniture hall, while others take place outdoors.

“we would like to take advantage of the artistic synergies of the entire area” (Kordzaia)

The place is not just a backdrop for the festival, according to Babazadeh “We are in dialogue with the space, with the place and also with history”.

With the Al(t)chemiefestival, the trio of directors wants to set an example. Kordzaia  says: “Through Corona and the paralysis of all artistic activities, it is important to us to involve as many musicians from the area as possible and to give them the opportunity to play”.

The musical leitmotif of the festival is very personal, as musicians perform pieces of their own choice that they have been working on intensively during the lockdown, freshly created compositions or projects that were postponed during the break. Trombonist Nils Wolgram, for example, presents new pieces of a CD that will be released in autumn.


Nils Wogram: Sneak Preview, Soloprogramm 2020

The line-up includes both new and traditional works: composer Stefan Wirth for instance plays his own but also Beethoven’s piano works and Dominique Girod performs outside on the double bass.

There is also electroacoustics, for example by Nicolas Buzzi, as well as a sound installation, a “sonic sphere”, by Krayer and Babazadeh.


Nicolas Buzzi: ssssscccccaaaaallllleeeee, 2019

“Al(t)chemie” or “alchemy” – the (t) is in brackets and this ambiguity refers to musical variety but also to the magic of the place. “It’s a killer area – and when it mixes with sound and live performance, it becomes unique,” says Babazadeh.
Gabrielle Weber

Die Chemische

The Al(t)chemie festival will take place on July, 4 and 5 in the closed down chemical factory of Uetikon am See.

On both days there three concert blocks will start at 15h00 and given the current corona situation, the audience is kindly asked to register.

Due to the great demand, the Digital Concerts will continue until the end of August.

Al(t)chemiefestival, Digital ConcertsStefan Wirth, Dominique Girod, Nils Wogram, Kappeler-Zumthor, Karolina Öhman, Isa Wiss, Sophie Krayer, Tobias Gerber/Ensemble Werktag, Philipp Schaufelberger

Neo-Profiles: Al(t)chemiefestival, Tamriko Kordzaia, Stefan WirthNicolas Buzzi, Karolina Öhman, Peter Conradin Zumthor