Time bridges across different ages  

Friederike Kenneweg: 20 Years of Mondrian Ensemble: Anniversary Concerts  

20 years already: the Basel based piano quartet Mondrian is celebrating its anniversary and the good thing is that some of the concerts planned for the occasion can now actually happen. 

Ensemble Mondrian ©zVg Ensemble Mondrian

 

Friederike Kenneweg
This year’s concert season was somewhat uneven and not only for the Mondrian Ensemble: too many events have been cancelled, postponed or had to be live-streamed online. But for Tamriko Kordzaia (piano), Ivana Pristašová (violin), Petra Ackermann (viola) and Karolina Öhmann (violoncello) it was even worse as they were planning to celebrate their ensemble’s 20th anniversary. The anniversary concert in autumn 2020 could take place with reduced audience. The Walcheturm event in Zurich however had to be streamed. The only advantage being that it is now accessible to everyone online.  

Connecting lines between the ages 

Bringing together common practice period and contemporary music has been Mondrian Ensemble’s characteristic for 20 years and their anniversary programme was no exception. A string trio by Schubert and four fantasy pieces by Schumann were combined with works by Martin Jaggi (*1978), Jannik Giger (*1985) and Madli Marje Gildemann (*1994). This allows a better perception of the different connections between musical periods, but also highlights contrasts and further developments all the more clearly. As the four musicians do not limit themselves to one period, but consider the entire history of music up to the present day for their concert programmes, they repeatedly uncover astonishing things – for example, parallels between the melancholy beauty of English Renaissance music and the slow pulsation of a piece by the Austrian Klaus Lang, or enable the audience to experience a very special kind of time travel, performing a piano trio by Schubert and a piano quartet by Morton Feldman in immediate succession.  

Another important aspect is that the ensemble keeps contemporary compositions in its repertoire and plays them on various occasions over the years, allowing them to develop and unfold like interpretations of classical works. This is hardly possible in the new music business, focusing mainly on world premieres.  

Great importance is also attached to working closely with the composers – sometimes over long periods of time, for example, Dieter Ammann, as the work on the world premiere of his string trio “Gehörte Form” (“Heard Form”) from 1998 led the founding members Daniela Müller on violin, Christian Zgraggen on viola and Martin Jaggi to form an ensemble in 2000. 

 


Dieter Ammann, Gehörte Form – Hommages for string trio 1998, in house-production SRG/SSR

The joining of Walter Zoller on piano, opened new possibilities and allowed them to perform string and piano trios as well as piano quartets from all periods. The ensemble still makes full use of the flexibility that this instrumentation brings in its programming. Thus, solos or duets can also be found in the various possible combinations. 

Different combination possibilities 

Another composer who has accompanied the ensemble for a long time is Jannik Giger from Basel. Their collaboration was for the piece “Intime Skizzen, as the musicians rehearsed compositional sketches by Leoš Janáček, Jannik Giger was present with his camera. The finished work offers insights into the musicians’ rehearsal rooms via a video screen, showing the piece’s appropriation process. In addition, the ensemble plays the Janáček fragments as well as the additions that Giger composed on stage. In the meantime, Giger’s piano trio “Caprice” from 2013 and string trio “Vertige have also become part of the ensemble’s regular repertoire. 

 

Jannik Giger, Vertige for string trio 2020

The ensemble not only recorded a portrait CD with Austrian composer Thomas Wally (Jusqu’à l’aurore, col legno 2020), but will also perform with him on stage in May, as Wally is also violinist. In the upcoming concerts, Ivana Pristašová, Petra Ackermann and Karolina Öhmann will also join the string quartet. For the BLACK ANGELS programme, they will perform the 1970 piece of the same name by George Crumb, which refers to the Vietnam War, with electronically amplified string instruments. Tape recordings are added to the string quartet in Steve Reich’s Different trains (1988), which also refers to war – reflecting on the importance of trains during the Second World War.   

50 years of women’s suffrage in Switzerland – a playable oven  

The programme planned for autumn 2021 revolves around the 50th anniversary of women’s suffrage in Switzerland. A first glimpse will be given on June 4, with the premiere of Garzeit” by artist duo LAUTESkollektiv

 

LAUTESkollektiv 2x Haensler ©zVg Stefanie Haensler

LAUTESkollektiv is composer Stephanie Haensler (*1986) together with designer Laura Haensler andGarzeit” is a multi-part piano quartet in which the usual instruments of the Mondrian Ensemble will be complemented by a playable oven.
This conveys part of the aesthetics and everyday life of women around 1971.
During the composition, switches, levers and knobs are operated by the musicians and influence the sound
scape 

 


Stephanie Haensler: Ein Schnitt for string quintet 2019, in house-production SRG/SSR

The full programme also features several pieces by female composers of different periods and generations – from Clara Schumann (1819-1896), via Elfrida Andrée (1841-1929) and the almost forgotten St. Gallen composer and poet Olga Diener (1890-1963) to Rebecca Saunders (*1967) and Katharina Rosenberger (*1971). 

Mondrian Ensemble’s programme, in which the piece “the ocarina chapter” by Christoph Gallio was to be premiered was eventually postponed to 2022. The piece has been commissioned by the ensemble to the Swiss composer and the concert was planned to be meeting of the ensemble with voice artist Theo Bleckmann from New York – an artistic encounter that the situation unfortunately does not permit at the moment.
Friederike Kenneweg 

 

Ensemble Mondrian ©zVg Ensemble Mondrian

 

BLACK ANGELS with Thomas Wally will be performed again on May 7 and 8 (Gare du Nord Basel, Walcheturm Zurich).  

Garzeit’s world premiere will take place on June 4, at Historisches Museum, Baden and its world premiere tour (Zurich, St. Gallen, Chur, Basel) will run until November 1, 2021.

The tour with world premiere by Christoph Gallio has been postponed to 2022. 

 

Thomas WallyIvana PristašováGeorge Crumb, Steve Reich, Madli Marje Gildemann, Klaus Lang, Morton Feldman, Daniela MüllerWalter Zoller, Leoš Janáček, col legno, Laura HaenslerOlga Diener, Clara Schumann, Rebecca Saunders, Elfrida Andrée, Theo Bleckmann

Sendung SRF 2 Kultur:
Blick in die Feuilletons, 8.12.20, 20 Jahre mutige Kammermusik – das Mondrian Ensemble hat etwas zu feiern (ab Min 24): a portrait by Gabrielle Weber

 

Neo-Profiles:
Mondrian Ensemble, Tamriko Kordzaia, Karolina Öhman, Petra Ackermann, George Crumb, Klaus LangMartin Jaggi, Jannik Giger, Dieter Ammann, Stephanie Haensler, Katharina Rosenberger, Christoph Gallio, Gare du Nord, Kunstraum Walcheturm

Wien Modern playing with no audience

17 new streaming productions during lockdown: 6.-29.11.20

Gabrielle Weber
The city of Vienna is going through troubled times. Hit hard by the pandemic and declared quarantine region at an early stage, then locked down at short notice during the month of November. Not to mention the outrageous terrorist attack. The unique Wien Modern music festival happens to be, both in terms of time and geography, in the midst of it, as it’s usually staged in various locations of the city centre throughout the month.

Konzerthaus Wien without public ©Markus Sepperer 

Under the slogan Stimmung (‘mood’ as well as ‘tuning’), the festival traces the current 2020 mood in complex and diverse ways. 44 new productions and 85 new pieces should have been performed, over 32 days, but only the opening weekend could take place in front of an audience, showing six productions, a mere 14% of the total programme.

On the third (as well as second-last) evening, the premiere of Edu Haubensak’s “Grosse Stimmung” could be presented. Wien Modern spared no effort and – almost in anticipation of what was to come – the Wiener Konzerthaus’ auditorium was emptied for eleven differently tuned grand pianos. The audience was, of course, still present – but in the stands only.

This allowed Haubensak’s work to be experienced live and in its integrity for the first time. After partial performances, the planned integral premiere at the Ruhrtriennale had to be cancelled in summer due to the pandemic. Despite quarantine, the three Swiss pianists Simone Keller, Tomas Bächli and Stefan Wirth were there to perform.

Edu Haubensak, Grosse Stimmung © Markus Sepperer

Then came the lockdown with its banned events and curfew. The quick decision in response was that a total of 24 events, i.e. more than half of the concerts, will now be performed without an audience and streamed free of charge.

Five days only after the lockdown was declared, the first streaming concert took place in front of an empty Musikverein hall on the 6th of November: the world premiere of Sofia Gubaidulina’s long-awaited new orchestral work “Der Zorn Gottes” performed by the Vienna Radio Symphony Orchestra (RSO) and directed by Oksana Lyniv. The planned premiere at the Salzburg Easter Festival with the Staatskapelle Dresden and Christian Thielemann had already been cancelled after several postponements.

The fact that it eventually premiered online is of significant importance given the situation as well as the terror that Vienna had to endure. Gubaidulina sees the performance as a sign of peace in times of increasing hatred and “a general overstrain affecting civilisation”.

Klaus Lang: tönendes Licht

Livestream from Stephansdom Wien: Klaus Lang, tönendes Licht, world creation 19.11.20

Other important highlights are a concert with three world premieres on November 18, in the Vienna Konzerthaus. In addition to new works by Friedrich Cerha and Johannes Kalitze, a piece by Matthias Kranebitter, winner of the Erste Bank Composition Prize, will be premiered – “a new encyclopaedia of pitch and deviation”. Performed by Klangforum Wien and directed by Kalitzke himself. On November 19, live from Vienna’s St. Stephen’s Cathedral, the premiere of  the “giant organ concerto” (cit. Wien Modern) “tönendes licht” by Klaus Lang, for a space wise dispersed Vienna Symphony Orchestra, directed by Peter Rundel.

20 years Ensemble Mondrian – Anniversary concert in Vienna:
This production has unfortunately been postponed to 2021, due to Swiss quarantine regulation guidelines.

Portrait Mondrian Ensemble & Thomas Wally © Markus Sepperer

There is also something to be heard from the Swiss side: On November 21, the Mondrian Ensemble will mark its 20th anniversary by presenting works by Martin Jaggi and Thomas Wally, both long-time collaborators of the Basel based ensemble.


Ensemble Mondrian, Thomas Wally, Podcast

Premieres of Andres Bosshard with Zahra Mani and Mia Zabelka, however, had to be postponed to November 2021. Same for Basel ensemble Nikel’s concert with works by Thomas Kessler and Hugues Dufourt.

Bernhard Günther, artistic director of Wien Modern, made the following statement in a in-depth reflection on the lockdown and the cultural mood in Austria: “The current mood here indicates that clear signals are urgently needed to prevent culture from being perceived as a victim of the health system, winter tourism in the mountains and Christmas shopping. A captain must of course try and avoid the iceberg, but at the moment he must also do everything he can to prevent the ship from sinking on the opposite side”.

Through streaming, Wien Modern now tries to maintain Vienna’s cultural life and make part of it accessible. Perhaps – to stick with the festival’s motto – the actual mood can be somewhat improved, even if this doesn’t diminish the life threatening situation that cultural production is currently facing.

To express our solidarity, SRF 2 Kultur and neo.mx3, are pleased to inform their public, users and listeners regarding the different streaming possibilities and details.
Gabrielle Weber

Portrait Bernhard Günther © Wien Modern

All streams on: Wien Modern or (partially) on Musikverein and ORF RSO 

Broadcasts SRF 2 Kultur

Kultur kompakt Podcast9.11.20: Theresa Beyer, “Der Zorn Gottes” entlädt sich im Stream zur UA Wien Modern, Sofia Gubaidulina:

Neoblog, Corinne Holtz: Wenn aus Leidenschaft Subversion wird – Portrait Simone Keller

Kontext, 21.10.20, Corinne Holtz: Zehn neu gestimmte Klaviere

In Musik unserer Zeit21.10.20: Florian Hauser / Gabrielle Weber:  zu neo.mx3: Simone Keller & Edu Haubensak

Neo-profiles
Simone Keller, Stefan Wirth, Wien Modern, Edu Haubensak, Mondrian Ensemble, Martin Jaggi, Thomas Kessler