Swiss Contemporary Music
Marc Kilchenmann doesn’t like to repeat himself, what he appreciates is delving deeper when he takes on a subject. For his piece Murhabala, he focussed the women’s struggle for freedom in Iran. In the musical form, overtone and undertone structures meet and clash, sometimes harmoniously, sometimes in dissonant frictions.
A portrait by Friederike Kenneweg
Since the 2024/2025 season, Composer Andreas Eduardo Frank is the new Artistic Director & Co-Director of Basel’s Gare du Nord, one of the most important venues for contemporary music in Switzerland. Frank’s own works are multimedia, playful, humorous and often more political than one might think at first glance. A portrait by Jaronas Scheurer
Continue reading “Andreas Eduardo Frank: Collaborative composing and meta-composing”
Nora Vetter, Lucerne based viola player and composer, benefited in 2023-2024 of the Migros Culture Percentage’s Double Classic network. Each year, this mentoring platform enables several musicians to work on a specific project in depth and supported by a coach. On this occasion, we look back at her creative process and her impressions after a year of coaching, which led to the production of a new work for solo drums. A Portrait by Alexandre Babel.
Portrait Nora Vetter zVg. Nora Vetter Continue reading “Nora Vetter / Performative contexts”
Young jazz saxophonist Tapiwa Svosve (*1995) was awarded one of this year’s BAK music prizes. Svosve does not commit himself to any particular style, switching agilely between free jazz, ambient, noise and progressive rock. However, his musical practice is firmly rooted in the jazz tradition.
Continue reading “Tapiwa Svosve grinds saxophone sounds into the sewage system”
Gabrielle Weber: Lausanne Underground Film and Music Festival awarded music prize
LUFF, Lausanne Underground Film and Music Festival, has been programming experimental music to accompany a selected film programme in Lausanne since 2002. This year, the festival received one of the special music prizes from the Federal Office of Culture (BAK). A few weeks before the start of this year’s edition, I met three members of the management team at the new Lausanne cultural centre Pyxis, right next to the cathedral in Lausanne’s old town, which is where LUFF’s offices are located. A conversation with Thibault Walter and Dimitri Meier, artistic directors of the music programme, and Marie Klay, managing director.
Continue reading “LUFF: Music award for Noise from Lausanne”
Just beautiful concerts? No. At the Lucerne Festival, an academy looks after young musicians and theis interests, be it instrumentalists, composers and/or conductors. The Lucerne Festival Academy brings them all together. Festival director Michael Haefliger and composer and conductor Pierre Boulez came up with the idea for this academy 20 years ago.
Benjamin Herzog
It’s a hot saturday afternoon by the Lake Lucerne and the Lucerne Festival has been running at full speed for a good week now. This applies not only to the dense sequence of concerts, debut recitals and free formats for visitors in front of and next to Jean Nouvel’s emblematic Culture and Convention Centre KKL. The first three weeks of the festival are very intense for the participants of the Lucerne Festival Academy as well. 110 in number, from 30 different countries: Instrumentalists, composers and conductors. Some of them will be presenting the fruits of their first phase of work in a concert this Saturday afternoon at the KKL. Pierre Boulez’ enormously difficult Rituel in memoriam Bruno Maderna for eight instrumental groups, Wolfgang Rihm’s In-Schrift and a piece by Lisa Streich called Ishjärta, which translates “iron heart” in English and in which the composer attempts to express two different emotional states simultaneously.
Continue reading “Linked to the future – Lucerne Academy’s 20th anniversary”
At only seven years of age the Swiss Museum and Centre of Electronic Musical Instruments (SMEM) already won one of the Swiss Music Awards’ three special prizes. The museum is located in Fribourg and allows to experience technology, history and practice of electronic music-making.
Continue reading “The Swiss Museum and Centre for Electronic Music Instruments – a living archive”
He mixes sound, performance, video and theatre with cooking, sport, thrillers and environmental activism. Young composer Léo Collin born in France and now living in Zurich, produces evocative music theatre happenings. I visited him in his studio, located in Zurich’s Rote Fabrik.
Continue reading “Meta-layers and broken fascination in Léo Collin’s music theatre ”
A pioneer of vocal artistry – US-American vocalist Lauren Newton.
Her passion for exploring the full potential of the voice drives her work in free improvisation, jazz and contemporary music. Closely associated with the Swiss experimental music scene, she taught jazz vocal performance and free improvisation at the Lucerne University of Music (HSLU) between 1993 and 2019.
Cathy Van Eck, composer and media artist, shapes the Swiss and international contemporary music scene with her subtle and highly aesthetic sound performances. Her piece In the Woods of Golden Resonances for solo percussion played a special role within a dedicated concert evening. A portrait of Alexandre Babel.
Alexandre Babel
The theme sounds like an invitation: Spanish percussionist Miguel Angel Garcia Martin curated a concert evening entitled Aufbau/Abbau (set-up / Dismatle) in the friendly takeover series at Basel’s Gare du Nord, entirely dedicated to solo percussion. Six world premieres to shed light on the logistical reality of professional percussionists. After all, setting up and dismantling for a concert often takes up almost as much time and significance as the music itself. Even if the theme of the evening seems somewhat vague at first glance, it served as starting point for a multifaceted question that all participants made their own by creating a new work. Cathy Van Eck’s In the Woods of Golden Resonances is a unifying example.
Continue reading “Cathy Van Eck: The transcendent role of a concert piece”